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''The Last Dog and Pony Show'' is the fourth solo album by former Hüsker Dü and Sugar guitarist and singer Bob Mould. ==Background== The title refers to the fact that Mould planned to cease touring with a full electric band after supporting the album (a plan he stuck to until hitting the road to support his 2005 release, ''Body Of Song''). "I'm 37 years old now," he said at the time. "I've been doing it for almost 20 years. As I get older, I don't enjoy four months on the road of full-throttle volume all the time. Though I still like that kind of music, I'd rather get away from it while I still enjoy it, as opposed to doing it because it's my calling card and it's worked."〔Tower Records' ''TOP'' magazine, September 1997, p13〕 "Every other record I do is a bright or a dark record," he observed. "It's not intentional. Maybe it's just me struggling to find some kind of balance. I think this one's fairly outgoing compared to my last, especially, which was real dark and claustrophobic because that was the way I was feeling at the time. This one is a little more easygoing. The stories are a little simpler and more universal. I tend to go through phases when I'm writing, and this one went through three or four pretty distinct stylistic phases before arriving at the bulk of the record, which is the upbeat electric stuff."〔Tower Records' ''TOP'' magazine, September 1997, p13〕 Having used programmed drums on his previous, self-titled album, on which he was the sole performer, Mould this time returned to using a real drummer, Matt Hammon. Cellist Alison Chesley also contributes to two tracks. While the album is steeped in the driving rock he had become known for, songs like "Reflecting Pool," the mechanical-sounding "First Drag Of The Day" and the sample-heavy "Megamanic" demonstrate the growing interest in electronica which he would spend the next few years exploring in more depth. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The Last Dog and Pony Show」の詳細全文を読む スポンサード リンク
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